Here Comes the Giant Artificial Sun (Published 2013)

Marc Jacobs’s show featured some props, lights and mirrors. The clothing on display was comfortable … and likable.

The Cloud-Filled Set of Marc Jacobs’s Fall 2014 Fashion Show

An expansive exhibition featuring exquisite Korean artifacts from the Joseon Dynasty hits Philadelphia, L.A., and Houston

Architectural Digest

Sonia Rykiel Spring/Summer 2014 Campaign | Fashion Gone Rogue

Rykiel’s Bold Spring–The spring-summer 2014 campaign from Sonia Rykiel goes for a colorful and graphic look with these new advertisements starring British model Karen Elson.

Fashion Gone Rogue

Fein China (Garage Magazine)

Fein China

Marc Jacobs’s pink fantasy world closes New York Fashion Week

Marc Jacobs’s pink fantasy world ends New York Fashion Week in style

Architectural Digest

An Intimate Look at Coach Spring 2016 – PurseBlog

Yesterday, Coach celebrated 75 years of craftsmanship with its first-ever runway show in NYC. It felt only right that Coach, a brand that has a close relationship with NYC’s High Line…


Marc Jacobs RTW Fall 2016

Marc Jacobs closed out New York Fashion Week. In a word, it was extraordinary.


For Brandon Maxwell, Cocktail Hour Takes On New Drama (Published 2016)

The designer showed his second collection at Monkey Bar last night, to a crowd of fans that included Lady Gaga.

Hermès Hosts an Haute, Homey Celebration

A fashionable crew came out to toast the French house and its haute homewares.


A Visionary Artist Creates a Surreal Universe for Hermès (Published 2016)

Robert Wilson collaborated with the fashion house on “Here Elsewhere,” an immersive installation filling five themed rooms in Chelsea.

An Avant-Garde Director Sets the Stage for Hermès (Published 2016)

The theater director Robert Wilson pulls out the stops — and pulls in a pig — for a collaboration with the French luxury-goods company.

A Light Installation at Hermès

The experimental-theatre director Robert Wilson designs an experience to show off the brand’s luxury home collection.

The New Yorker